Will you watch the next year’s Oscars if it includes an exclusive sneak peak at the Twilight Saga:Eclipse?

Wed, 23/12/2009 - 02:12 | by twilight-movie.org

As the year ends, the awards season starts to heat up and nominations are starting to be handed out for next year’s award giving bodies.

During last year Oscars, producers Bill Mechanic and Adam Shankman tried to induce new blood into the show and revamped it with new concepts and a tinge of broadway. With the next Oscars looming in the months ahead, how will Mechanic and Shankman lure in more viewers in next year’s Oscars?

In an article by The Hollywood Reporter, writer Matthew Belloni suggests that putting in sneak peaks from next year’s most anticipated movies could lure in the younger crowd.

Think about it. At five strategically timed slow points in the ceremony, a major star could appear to introduce a two-minute clip of never-before-seen footage from an upcoming film. Every major studio, mini-major and specialty division would be invited to enter a lottery for the five slots, the only rule being that the winning studios’ clips — any clip; it can be something from a prestige project or from “Iron Man 2″ — has never been seen before.

Can you imagine what kind of interest there would be if Summit revealed the first glimpse of June’s “The Twilight Saga: Eclipse” during the telecast? Actually, we don’t have to speculate. Exclusive footage of “New Moon” — including the first shots of the film’s shirtless werewolves — aired during the MTV Movie Awards in June, and the show’s ratings shot up 92% in the target demo, its best performance in five years.

Studios probably would jump at the chance to showcase their shiniest wares in front of the billion-or-so moviegoers who tune in around the world. If Warner Bros. were given the opportunity to debut three minutes of Christopher Nolan’s “Inception,” millions likely would tune in just to check out what “The Dark Knight” director has up his sleeve. When these lookie-loos also are exposed to the smaller films being honored, such as likely multiple-nominees “The Hurt Locker” or “Precious,” all the better for the film industry.

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